Installation view of Robert Indiana: Letters, Words and Numbers, C&M Arts, New York, February 13–March 22, 2003. Left to right, USA 666 (The Sixth American Dream) (1964–66), Column Love (1964), Column Eat/Hug/Die (1964), and Column Eat/Hug/Err (1964)
Robert Indiana: Letters, Words and Numbers, at C&M Arts, featured works from 1960 to 1970. The gallery also organized the exhibition of Indiana’s 6-foot-high, polychrome numbers, ONE Through ZERO (The Ten Numbers) (1980–2001) on Park Avenue, 3 February–3 May 2003.
Installation view of Robert Indiana: Letters, Words and Numbers, C&M Arts, New York, February 13–March 22, 2003. Left to right, Bar (1960–62), LOVE (1967), Eat (1962, cast 1991), The Small Diamond Demuth Five (1963), and Hole (1960–62)
Installation view of Robert Indiana: Letters, Words and Numbers, C&M Arts, New York, February 13–March 22, 2003. Left to right, The Small Diamond Demuth Five (1963), Eat (1962, cast 1991), Hole (1960–62), and Exploding Numbers (1964–66)
Installation view of Robert Indiana: Letters, Words and Numbers, C&M Arts, New York, February 13–March 22, 2003. Left to right, Ahab (1960–62) and The Melville Triptych (1962)
Installation view of Robert Indiana: Letters, Words and Numbers, C&M Arts, New York, February 13–March 22, 2003. Left to right, The Melville Triptych (1962), Ahab (1960–62), and New Castle (1969)
Installation view of Robert Indiana: Letters, Words and Numbers, C&M Arts, New York, February 13–March 22, 2003. Left to right, Apogee (1970), Two (1960–62, cast 1991), and USA 666 (The Sixth American Dream) (1964–66)
