Installation view of Love Long: Robert Indiana and Asia, Asia Society, Hong Kong, February 7–July 15, 2018. Left to right, Decade: Autoportrait 1962 (1977), Eat (1962, cast 1991), Four Diamond Ping (2003), LOVE (1966–1999), and The Electric EAT (1964–2007)
Love Long: Robert Indiana and Asia was the artist's first exhibition in Hong Kong. It explored Indiana’s influence on a younger generation of artists in Asia who depict language and text. The exhibition included paintings, works on paper, and sculpture by Indiana—including LOVE Wall (1966–2007), ONE Through ZERO (The Ten Numbers) (1978–2004), and LOVE (1966–2002), along with the work of eight contemporary artists and collectives from Asia: Kutluğ Ataman, Candy Factory Projects, Young-Hae Chang Heavy Industries, Chim↑Pom, He An, Hung Keung, Charwei Tsai, and Xu Bing.
AMOR (1998–2006), installed in Love Long: Robert Indiana and Asia, Asia Society, Hong Kong, February 7–July 15, 2018
LOVE (1966–2002), installed in Love Long: Robert Indiana and Asia, Asia Society, Hong Kong, February 7–July 15, 2018
LOVE Wall (1966–2007), installed in Love Long: Robert Indiana and Asia, Asia Society, Hong Kong, February 7–July 15, 2018
Imperial LOVE (1966–2017), installed in Love Long: Robert Indiana and Asia, Asia Society, Hong Kong, February 7–July 15, 2018
Installation view of Love Long: Robert Indiana and Asia, Asia Society, Hong Kong, February 7–July 15, 2018. Left to right, LOVE (1966–1999) and ONE Through ZERO (The Ten Numbers) (1978–2004)
Installation view of Love Long: Robert Indiana and Asia, Asia Society, Hong Kong, February 7–July 15, 2018. Left to right, LOVE (1966–1999), Four Diamond Peace (2003), The Great LOVE (2008), The Great LOVE (2008), and The Great LOVE (2008)
Installation view of Love Long: Robert Indiana and Asia, Asia Society, Hong Kong, February 7–July 15, 2018. Left to right, Sixth State (1959/2001), Wall of China (1960–61), Ginkgo (2000), Eat (1962, cast 1991), and Love Is God (1964)
